Transcultural Pilgrim: Three Decades of Work by José Bedia

José Bedia, Mama quiere menga, menga de su nkombo (Mama Wants Blood, Blood Of His Bull), 1988, acrylic on canvas, 55" x 78 3/4". Collection of Diane and Robert Moss, Miami, Florida.

Miami Art Museum

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By Ashley Knight

This summer, the Miami Art Museum is exhibiting a major career retrospective of the work of José Bedia, an acclaimed member of Cuba’s “Generation of the ’80s.” This survey explores the influence of indigenous cultures and religions from Cuba and the Caribbean, North and South America, and Africa on the artist’s work over the last three decades. It gathers 35 pieces-including large-scale figurative paintings, installations and drawings-and was organized by the Fowler Museum at UCLA and curated by Judith Bettelheim.

Throughout his career, Bedia has traveled to the Sonoran Desert in Mexico, North American Plains, Amazonian rainforest, Dominican countryside and the Central African savanna, among numerous other locations, in search of artistic and spiritual peers and to participate in what he defines as “diverse spiritual worlds.” The featured works in “Transcultural Pilgrim”-with their sacred and autobiographical references, strong graphic quality, and philosophical complexity-represent the traces of Bedia’s artistic and spiritual journeys that have shaped his artistic practice. The exhibition also includes select artifacts from Bedia’s collection, which have inspired the forms and content of his work. Through September 2, 2012.