No. 43 August - September 2016
Cover page: Titus Kaphar, The Vesper Project (detail), 2012, mixed media, dimensions variable. Courtesy of the Burger Collection, Hong Kong and Friedman Benda, New York. Photo: Luke Hanscom.
Titus Kaphar: When Fiction Masquerades as a Memory
Titus Kaphar (American, b. 1976), The Vesper Project, 2012, mixed media, dimensions variable. Courtesy of the Burger Collection, Hong Kong and Friedman Benda, New York. Photo: Luke Hanscom.
FEATURES »
By Suzanne Cohen
On September 17th, the Cornell Fine Arts Museum in Winter Park, Fla., will unveil the first-ever [...]
By Claire Fenton
This July, Boston-based artist Ethan Murrow took his photorealistic drawings to the Museum of Contemporary Art [...]
By Ashley Knight
At Pérez Art Museum Miami, New York-based Carlos Motta (Bogota, 1978) presents an exhibition through which [...]
By Raisa Clavijo
Richard Hamilton, a pioneer of Pop art, whose collage Just what is it that makes today’s [...]
By Suzanne Cohen
The notion of borders as geographic demarcations with political and economic ramifications is evoked frequently in [...]
Subscribe to Newsletter »
News »
For MOCA’s “Project Atrium” series, Tallahassee-based painter Joelle Dietrick produced a multilayered mural of paint and adhesive fabric [...]
Hoppé Portraits: Society, Studio and StreetCurated by Phillip Prodger, Head of Photographs, National Portrait Gallery, London, this show at the Samuel Harn Museum [...]
Lorna Otero: Contemporary Families in Miami“Contemporary Families in Miami: A Photo Album,” is an interactive project that explores the concept of family in [...]
