John Storrs: Machine-Age Modernist

John Storrs (1885-1956), Ceres, 1930. Museum Purchase, Friends of the Wichita Museum, Inc., Volunteers of the Sales/Rental Gallery, Wichita Art Museum, Kansas.

John Storrs was one of the most important modernist sculptors to emerge in the early twentieth century. During the 1910s and -20s, he divided his time between his native Chicago and Paris. After studying with Auguste Rodin, Storrs was responsible for reinvigorating the largely academic medium of sculpture with radicalism, then unknown in the United States.

“John Storrs: Machine-Age Modernist” focuses on the most innovative phase of the artist’s sculpture, between 1917 and the early 1930s. In response to professional setbacks and global political turmoil, the most daring, original traits of his work were forfeited in favor of figuration, the same stylistic means that he had spurned at the beginning of his career.

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“John Storrs: Machine-Age Modernist,” the first exhibition of Storrs’s work in over twenty years, features sculptures, drawings, and paintings drawn from various national collections, including those of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Corcoran Museum of Art. This exhibition, curated by Debra Bricker Balken, will be on view at the Norton Museum of Art from October 2, 2010 through January 2, 2011, and will then travel to the Grey Art Gallery at New York University in New York City.

“John Storrs: Machine-Age Modernist” is on view at the Norton Museum of Art. South Olive Avenue, West Palm Beach, FL., 34108. Phone: 561 832 5196 / www.norton.org  (October 2, 2010 - January 2, 2011)