Industrial Sublime

Leon Kroll, Queensborough Bridge, 1912, oil on canvas, 36” x 48 ¼”. Courtesy of the Fralin Museum of Art at the University of Virginia. Bequest of Mrs. Leon Kroll.

Norton Museum of Art - West Palm Beach

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By Claire Fenton

“Industrial Sublime: Modernism and the Transformation of New York’s Rivers, 1900-1940″ illustrates the industrial transformation of the city of New York and the rivers that surround it. The show gathers more than 60 paintings and works of paper by important American artists such as Georgia O’Keeffe, George Bellows, Robert Henri, John Sloan, George Ault, Cecil Crosley Bell, Gifford Beal, Glenn Coleman, Aaron Douglas, Jonas Lie, Ernest Lawson and Leon Kroll, among others.

These artists develop a new mode of landscape painting that differs from the path this genre followed in American painting tradition before. They were focused on featuring the rise of American industry as a symbol of progress and economic growth. The subject matters of their works were the construction of bridges, factories and buildings, the ocean liners moving in and out of the city’s harbor, the changing cityscape and the daily life of that early 20^th-century New York’s industrial workers. While perceiving industrialization and the rise of modern New York as glorious, they created a new visual language that art experts have identified as the “Industrial Sublime.” Through June 22, 2014.