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Cruz-Diez Interactive at MAM

Carlos Cruz-Diez, Cromosaturación (Chromosaturation),1965-2008. Three chromo-cubicles. Site-specific environment (Fluorescent lights with blue, red and green filters). Courtesy of Americas Society Gallery, New York. Photo: Arturo Sanchez

Carlos Cruz-Diez, Cromosaturación (Chromosaturation),1965-2008. Three chromo-cubicles. Site-specific environment (Fluorescent lights with blue, red and green filters). Courtesy of Americas Society Gallery, New York. Photo: Arturo Sanchez

Through June 20, 2010

Miami Art Museum is presenting an exhibition of interactive works by Carlos Cruz-Diez. Born in Caracas in 1923, Cruz-Diez is one of Latin America’s most important living masters. “Carlos Cruz-Diez: The Embodied Experience of Color” marks the artist’s first exhibition to focus solely on sensory chromatic environments and interactive projects.

Cruz-Diez, a major figure in the international kinetic art movement, was recently selected to create a signature artwork feature for the new Miami Marlins Stadium’s four-acre entrance plaza, one of the largest of any stadium in United States history, which will use a paving system based on color, line and viewer perception as visual signage to the various stadium entrances.

Researchers who studied Older cats articular problems get free viagra articular degenerative diseases on cats. To create an environment that encourages compassion and empathy, students must do things together and then process their experiences in doing that activity. viagra pfizer 100mg Stage 4 Cancers May Dodge Chemotherapy viagra cheapest pharmacy It is common knowledge that radiation’s and chemotherapy’s ability to damage cell DNA, indirectly promotes apoptosis. It affects buy generic tadalafil them quite much to be honest. “Carlos Cruz-Diez: The Embodied Experience of Color” explores the artist’s pioneering contribution to experimental practices in the 1960s and 1970s that proposed the dematerialization of the object to create environments that involve the body, senses and subjectivity of the spectator. In his experimentation with color and perceptual structures, Cruz-Diez proposed new definitions for artwork as a field of active participation through the use of light, movement and space. Cruz-Diez’s experimentations with color and sensory perceptual environments anticipated many of the relational and participatory concerns of contemporary art.

“Carlos Cruz-Diez: The Embodied Experience of Color” (March 20 - June 20, 2010)

Miami Art Museum. 101 West Flagler St., Miami, FL  33130

www.miamiartmuseum.org

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