Zachary Fabri

Zachary Fabri, Still from Forget me not, as my tether is clipped, 2012, 16 mm transfered to video, 14:50 min. Courtesy of the artist.

Museum of Art | Fort Lauderdale

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By Ashley Knight

In conjuncton with “The Movement: Bob Adelman and Civil Rights Era Photography,” the Museum of Art | Fort Lauderdale is presenting an exhibition of four videos by Zachary Fabri, a Miami Miami native of Jamaican and Hungarian heritage. His multidisciplinary practice mines the intersection of personal and political spaces, often responding to a specific environment or context. His work is created in dialogue with historical events and ideologies that shape our present. The films are scattered throughout the museum as stepping stones for the viewer’s passage through time and space. Fabri explores the movement and politics of the body and uses humor as a subversive tool that entices viewers to engage his work and ultimately shift their perspective in relation to the subject.

Particularly interesting is Fortune’s Bones, a film that questions how museums value artifacts, especially those of other cultures. Fabri used video to document his guerrilla performance, in which he and a group of participants marched into various museums along Fifth Avenue. During his visit to the Metropolitan Museum of Art, he improvised a ritualistic dance in the African wing. The film’s title is a reference to a skeleton of a slave called Fortune, found in a closet and exhibited by the Mattatuck Museum in Waterbury, Conn., until 1970. Through May 17, 2014.