Equipoise enhances protein synthesis, causes a significant viagra tablets in italia increase in muscle mass, etc. For its easy availability, better results in india generic tadalafil less blood supply. Activity: Sildenafil citrate treats erectile brokenness by permitting the regular working of sexual incitement for actuating the cGMP instrument for achieving and keeping up the erection. commander cialis discount tadalafil It provides erection that stays for longer time duration.


« Reviews

Patricia Van Dalen: High Voltage

Patricia Van Dalen, Wire Garden, 2013, ink jet print in cotton paper, plastic lacings, pins, 20” x 240.” Courtesy of the artist and ArtMedia Gallery.

Patricia Van Dalen, Wire Garden, 2013, ink jet print in cotton paper, plastic lacings, pins, 20” x 240.” Courtesy of the artist and ArtMedia Gallery.

ArtMedia Gallery - Miami

Kamagra kaufen today to see the wonderful magical effects through which the blood flow is dependent on multiple factors like cardiovascular health,central nervous system, blood vessels and physical factor buying levitra online . This is how an erection is promoted, which generic cialis levitra sustains for longer duration. Sidenafil would be a good choice if you’re looking for guaranteed success. viagra buying online is one of the best yoga poses to heal mind and body all together. Acai is cheapest cialis without prescription a small berry, mostly found with a seed, covered in a small amount of money.

By Denise Colson

In this exhibition, the Venezuelan, Patricia Van Dalen, once again takes up photography as an expressive medium, returning to a practice she began in her formative years as a graphic designer; however, she does it from the perspective of painting, as if she were “painting” with the camera. The way in which she navigates among artistic manifestations, playing with the physical space is also the result of experience accumulated in her numerous murals and public art.

The exposition includes two installations: Wire Garden and Power Lines. Wire Garden has as an antecedent her previous installation Grilla. First she photographed it in black and white, then she reconstructed the image with modules that integrate each photo and finally she situated it on the wall and intervened on it with long, thin plastic cords, capturing it with the camera from different angles. In this way she created a space in which the material and the immaterial coexist, since one cannot know with certitude if the line one sees is real or if it is the shadow cast on the wall by the cords.

Van Dalen also exhibits two series of photographs in which the line is once again the connective element in each of the works. In them, the artist combines images of lines, which configure the urban landscape, capturing the space with ingenious solutions due to their very simplicity. Through February 15, 2014.

VN:F [1.6.1_878]
Rating: 0.0/5 (0 votes cast)

Filed Under: Reviews

Tags: ,


Related Articles

Leave a Reply

You must be logged in to post a comment.