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I Paint My Reality

Leonora Carrington, Artes 110, c. 1942, oil on canvas, NSU Art Museum Fort Lauderdale, promised gift of Stanley and Pearl Goodman.

Leonora Carrington, Artes 110, c. 1942, oil on canvas, NSU Art Museum Fort Lauderdale, promised gift of Stanley and Pearl Goodman.

NSU Museum of Art Fort Lauderdale

Through Spring 2021

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“I Paint My Reality,” curated by Bonnie Clearwater, is drawn exclusively from NSU Art Museum’s Latin American collection, including promised gifts from Fort Lauderdale collectors Stanley and Pearl Goodman. The exhibition explores the influence of Surrealism in Latin American art.

The avant-garde surrealist movement emerged in France in the wake of World War I and spread globally as artists and artworks traveled, and ideas circulated through art journals and mass media. Dreams, psychoanalysis, automatism, collage, assemblage and chance were among the methods the surrealists used to tap into the unconscious mind and stimulate the imagination. The European Surrealists embraced their Latin American colleagues, who nevertheless expressed ambivalence about the movement. Mexican artist Frida Kahlo famously refuted being labeled as a surrealist, stating that she never painted dreams, instead asserting, “I painted my own reality,” while Uruguayan Joaquín Torres-García advocated for a modern art that was not beholden to European modern art. www.nsuartmuseum.org.

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