Head, Shoulders, Genes and Toes

Suzanne Anker, Butterfly in the Brain, 2002, video, digital prints, rapid prototype sculpture, plaster, resin, cast bronze, cast wax. Courtesy of Florida State University Museum of Fine Arts.

Florida State University Museum of Fine Arts - Tallahassee

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By Claire Fenton

This exhibition, whose title evokes a well-known children’s song, explored the intersection among, medicine, biology and technology. The exposition, curated by Judy Rushin, included works by Suzanne Anker, Hunter Cole, Joe Davis, Beverly Fishman, Erik Geschke, Holly Hanessian, Paddy Hartley, Richard Heipp, Carolyn Henne, Perrin Ireland, Brian Knep, Heidi Kumao, Robert Sherer, Jordan Vinyard, and Adam Zaretsky.

These artists use the results of medical research as raw material, giving them a metaphorical significance that alludes to the human condition. Art develops organically, as does science and the human body. It is no coincidence that these artists can connect apparently unrelated ideas in order to compose an imaginarium reminiscent of man’s preoccupation with time, permanence, and transcendence beyond the laws of nature.

Pieces such as, Butterfly in the Brain, by Suzanne Anker, analyze cultural and social patterns. The artist explored the relationship between the forms of the butterfly and the human brain. Starting from here, Anker compares neurological maps with the expansion of some cities’ urban plans. The repetition of the butterfly form in each of them, demonstrates how biological forms are reproduced in the social subconscious.