Beatriz Gonzalez: A Retrospective

Pérez Art Museum Miami

A survey spanning six decades of Beatriz Gonzalez’s intensive career is on view at PAMM. The show addresses cultural and political issues related to Colombia, her homeland. Gonzalez develops an iconoclastic method of appropriating images associated with Western art history, as well as the commercial printing and mass media outlets of her country. This retrospective highlights her ever-changing method, with works on paper, furniture, and sculpture co-existing. While continuing to draw primarily from newspaper images and art historical sources, her recent paintings have become more complex in terms of composition as well as the use of collage to paint-in images taken from diverse media narratives and sources.

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Beatriz Gonzalez, Encajera Almanaque Pielroja (Lacemaker Pielroja Almanac), 1964, oil on canvas, 39 3/8” x 33 ½”. Collection of the artist. Courtesy of Perez Art Museum Miami.

While always innovative and unpredictable in terms of subject matter and artistic strategy, the depth and intensity of González’s sui generis approach to individual and collective grief is unparalleled in contemporary art. Her focus on indigenous, rural, and displaced communities is a common throughline in her work. Her brightly-colored works belay González’s greater mission: to loudly proclaim injustices whether they are ripped (or missing) from the headlines. Through September 1.