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Picturing a New Society

Max Alpert (Russian, 1899-1980), Workers at Sunrise (about 1930s), gelatin silver print. Gift of Howard Schickler.

Max Alpert (Russian, 1899-1980), Workers at Sunrise (about 1930s), gelatin silver print. Gift of Howard Schickler.

The St. Petersburg Museum of Fine Art

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By Heike Dempster

The St. Petersburg Museum of Fine Art is currently exhibiting photographs from the Soviet Union from the 1920s to the 1980s. The exhibit questions photography’s ability to accurately depict reality and provides an important historic account of the Soviet Union. However, the images in “Picturing a New Society” are contradictory, as the idealistic images of a new social order in the Soviet state make the reality of the Soviet state even more visible.

Photographers such as Alexander Ustinov, Max Alpert, Emanuel Evzerikhin and Georgi Zelma address the themes of agriculture, industry, the military and the youth of the USSR via images that were meant to depict happy laborers in a productive and balanced society that the young look forward to joining. The images are illusions and part of the pro-Communist propaganda of the time. Consequently, they do not resemble real life in the USSR, as the virtues and happiness existed only in utopian photographs.

The photographers have created an alternate history of the Soviet state as seen in the images while another history is hidden and only revealed via the critical eye of the viewer. Through August 19, 2012.

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