Gustavo Acosta: Postcards from Havana

Gustavo Acosta, Holding my Breath, 2012, acrylic on canvas, 72” x 84.” Photo: Gory. Courtesy of the artist and Pan American Art Projects.

Pan American Art Projects - Miami

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By Ashley Knight

The exhibition “There: Postcards from Havana” of Gustavo Acosta includes a collection of paintings from different periods in his career that share a recurring theme: the city of his birth. The city serves him as a pretext to comment on social themes, or simply to express his emotions and memories of the place where he spent his youth.

The recurrence of this theme in his work, could owe itself to his status as an emigrant, which has led him to live in several cities in the world, where he invariably searches for something that identifies him with his native land. In the paintings of Acosta, the city appears empty; a human presence is only implicit. They are spaces where tension and intensity are contained, trapped by the very rationality of the composition. Acosta’s “postcards” are like images of the past, fragments of a dream that no longer has a chance of becoming tangible. Postcards of a city are fragments of a cosmetic reality that is constructed solely for the eyes of the tourist, or the traveler, who wishes to take away a souvenir of his experiences. Acosta reinforces this idea with his usage of colors in these pieces that are reminiscent of those old hand-colored postcards through which we mentally travel through time. Through April 13, 2013.