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Frida Kahlo, Diego Rivera and Mexican Modernism

By Ashley Knight

Paintings by Frida Kahlo (1907-1954) and Diego Rivera (1886-1957), two of the most celebrated artists of the early 20th century, are on view in a group exhibition of 75 works at NSU Museum of Art Fort Lauderdale through May 31. Showcasing the rich artistic traditions of Mexico and the vast array of ways its artists embrace modernistic trends, the exhibition features masterworks by Kahlo and Rivera along with paintings, sculptures and works on paper by other influential artists involved in Mexican political and social struggles, including Leonora Carrington (1917-2011), Gunther Gerzso (1915-2000), José Clemente Orozco (1883-1949), Wolfgang Paalen (1905-1959), Alfredo Ramos Martínez (1917-1946), David Alfaro Siqueiros (1896-1974), Rufino Tamayo (1889-1991) and Remedios Varo (1908-1963). Together, their work helped define Latin American art in the 20th century, demonstrating the broad range of artistic expression and varying political forces that shaped Mexican cultural heritage.

Frida Kahlo, Diego on My Mind (Self Portrait as Tehuana), 1943, oil on masonite. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. Courtesy of the Vergel Foundation and the Tarpon Trust. © 2015 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.

Frida Kahlo, Diego on My Mind (Self Portrait as Tehuana), 1943, oil on masonite. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. Courtesy of the Vergel Foundation and the Tarpon Trust. © 2015 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.

Accompanying these works are photographs of Frida and Diego by American and Mexican photographers such as Leo Matiz (1917-1978), Martin Munkácsi (1896-1963) and Nickolas Muray (1892-1965), who documented the artists’ vastly different personalities in portraits included in the exhibition. The artists’ mutual passions and shared political and artistic convictions bound them closely.

This exhibition includes works from both the world-renowned Jacques and Natasha Gelman Collection and major works by Mexican modern artists collected by Stanley and Pearl Goodman of Fort Lauderdale, who pledged their collection of modern Latin American art to the NSU Museum of Art Fort Lauderdale.

The Gelman Collection was established in 1941 by Jacques Gelman (1909-1986), a successful filmmaker, and his wife, Natasha (1912-1998), two Eastern European immigrants who met and married in Mexico City before becoming Mexican citizens in 1942. The couple was passionate about the art and culture of their new homeland, becoming devoted art patrons and establishing close friendships with Kahlo, Rivera and many of their contemporaries.

The Gelman Collection is known for its significant holdings of work by Kahlo. Outstanding paintings from the collection include many of her best-known self-portraits, including Diego on My Mind (Self-Portrait as a Tehuana) (1943), in which she gazes at the viewer, enshrined in the elaborate headdress traditional to Mexico’s southwest region with a portrait of Rivera inscribed on her forehead; Love Embrace of the Universe, Earth (Mexico), Myself, Diego and Señor Xolotl, (1940), presenting a mythical portrait of Kahlo cradling Rivera’s naked body in her arms; and Self-Portrait with Monkeys (1943), a well-known image of the artist surrounded by monkeys.

The Gelman Collection also includes major works from Rivera, including his provocative Portrait of Natasha Gelman (1943). In this work, the seductive art collector stares out of the canvas from a chaise of gray-green cushions, surrounded by an abundance of white calla lilies. He presents the lily again in his sensual Calla Lily Vendor (1943), in which floral forms contrast with three faceless figures who kneel immobilized in reverence to these lively, organic forms. Rivera conveys the same organic dynamism in his Landscape with Cacti (1931), in which cactus plants become figurative, with repeating vertical and curving shapes.

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Diego Rivera, Portait of Natasha Gelman, 1943, oil on canvas. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. Courtesy of the Vergel Foundation and the Tarpon Trust. © 2015 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.

Diego Rivera, Portait of Natasha Gelman, 1943, oil on canvas. The Jacques and Natasha Gelman Collection of 20th Century Mexican Art. Courtesy of the Vergel Foundation and the Tarpon Trust. © 2015 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.

For their part, Stanley and Pearl Goodman began collecting Mexican and Latin American art in 1991. Their collection includes Surrealistic paintings by Kahlo and other artists, including Carrington, Gerzso and Paalen, with depictions of fantasy, dreams and the subconscious. Carrington’s Artes 110 (1942) presents ambiguous narratives about the power of female creativity, birth and rebirth in interludes of illusionistic imagery. The abstract forms of Paalen’s Paysage totémique (1937) visualize aspects of his fantastical childhood dreams, such as living in castles in the midst of magical forests.

Works by Siqueiros, a political, radical-minded Mexican social-realist painter and adversary of Rivera, best known for his large, frescoed murals, are also included in the collection. The first painting purchased by the Goodmans was his gouache on paper, Flight (1964), depicting a woman holding a child wrapped in a shawl. Siqueiros juxtaposes primary colors and applies them gesturally to convey the energy and vitality of figures that struggle with forces beyond their control.

Also in the Goodman collection are works by Alfredo Martínez Ramos, known as the “Father of Mexican Modernism.” Martínez Ramos’ Minotaurus (1959) displays the mythological creature born of the union between a bull and the queen of Crete. Rather than being killed, the offspring of this union was condemned to live forever in an inescapable labyrinth, but in Ramos’ painting he holds a key, suggesting he has discovered a way out.

Masterworks from the Gelman and Goodman collections in this important exhibition at NSU Museum of Art Fort Lauderdale reveal the depth and breadth of the Mexican modernism movement of the 20th century, demonstrating the range of artistic expression and varying political forces that shaped its development.

“Frida Kahlo and Diego Rivera from the Jacques and Natasha Gelman Collection” and “20th Century Mexican Art from the Stanley and Pearl Goodman Collection” are on view through May 31 at NSU Museum of Art in Fort Lauderdale, located at One East Las Olas Blvd., Fort Lauderdale, Fla. 33301 | www.moafl.org.